Opening: Fri. May 31st, 2024 18H — 22H

Scarecrows don’t talk - Palazzina #24 31/05/2024—07/07/2024

Salome Jokhadze Jennifer Merlyn Scherler Rhona Mühlebach

Salome Jokhadze. My Teeth Bite Through Flesh. Fabric and embroidery. 94 x 136 cm. 2024.
Salome Jokhadze. My Teeth Bite Through Flesh. Fabric and embroidery. 94 x 136 cm. 2024.
Salome Jokhadze. My Teeth Bite Through Flesh. Fabric and embroidery. 94 x 136 cm. 2024.
Salome Jokhadze. My Teeth Bite Through Flesh. Porcelain, approximately 80 pieces. Variable dimensions. 2024.
Salome Jokhadze. My Teeth Bite Through Flesh. Porcelain, approximately 80 pieces. Variable dimensions. 2024.
Salome Jokhadze. My Teeth Bite Through Flesh. Porcelain, approximately 80 pieces. Variable dimensions. 2024.
Salome Jokhadze. My Teeth Bite Through Flesh. Porcelain, approximately 80 pieces. Variable dimensions. 2024.
Jennifer Merlyn Scherler. Hi <3 look at this thing that I love! Audio piece, 05:35 min. 2023.
Jennifer Merlyn Scherler. Hi <3 look at this thing that I love! Audio piece, 05:35 min. 2023.
Jennifer Merlyn Scherler. Lipsync is not enough (From the heavens to the sea). Styrodur, acrystal, digital print on archival matte paper. 60 x 46 x 12 cm. 2023.
Jennifer Merlyn Scherler. Lipsync is not enough (From the heavens to the sea). Styrodur, acrystal, digital print on archival matte paper. 60 x 46 x 12 cm. 2023.
Jennifer Merlyn Scherler. Lipsync is not enough (Forest Fae). Styrodur, acrystal, digital print on archival matte paper. 60 x 46 x 12 cm. 2023.
Jennifer Merlyn Scherler. Lipsync is not enough (Forest Fae). Styrodur, acrystal, digital print on archival matte paper. 60 x 46 x 12 cm. 2023.
Jennifer Merlyn Scherler. Lipsync is not enough (Dark Earth, Flowers and Undying Love). Styrodur, acrystal, digital print on archival matte paper. 60 x 46 x 12 cm. 2023.
Jennifer Merlyn Scherler. Lipsync is not enough (Dark Earth, Flowers and Undying Love). Styrodur, acrystal, digital print on archival matte paper. 60 x 46 x 12 cm. 2023.
Jennifer Merlyn Scherler. Lipsync is not enough (Nihilism). Styrodur, acrystal, digital print on archival matte paper. 60 x 46 x 12 cm. 2023.
Jennifer Merlyn Scherler. Lipsync is not enough (Shaking Fists At Monolithic Gods). Styrodur, acrystal, digital print on archival matte paper. 60 x 46 x 12 cm. 2023.
Jennifer Merlyn Scherler. Lipsync is not enough (Shaking Fists At Monolithic Gods). Styrodur, acrystal, digital print on archival matte paper. 60 x 46 x 12 cm. 2023.
Jennifer Merlyn Scherler. Lipsync is not enough (The Anthems of Rape Culture Loud). Styrodur, acrystal, digital print on archival matte paper. 60 x 46 x 12 cm. 2023.
Rhona Mühlebach. Ditch Me - Worm Soliloquy. Video, rasberry pi, speaker. 8 min. 2023.
Rhona Mühlebach. Ditch Me - Worm Soliloquy. Video, rasberry pi, speaker. 8 min. 2023.
Rhona Mühlebach. Ditch Me - Character Scroll. Digital print on linen, wood. 200 x 80 cm. 2023.
Rhona Mühlebach. Ditch Me - Character Scroll. Digital print on linen, wood. 200 x 80 cm. 2023.
Rhona Mühlebach. Ditch Me - Character Scroll. Digital print on linen, wood. 200 x 80 cm. 2023.
Rhona Mühlebach. Ditch Me-Character Scroll. Digital print on linen, wood. 200 x 80 cm. 2023.
Rhona Mühlebach. Ditch Me-Prologue and Epilogue. Two-channel video. 42 min. 2023.
Rhona Mühlebach. Ditch Me-Prologue and Epilogue. Two-channel video. 42 min. 2023.
Rhona Mühlebach. Ditch Me-Prologue and Epilogue. Two-channel video. 42 min. 2023.
Rhona Mühlebach. Ditch Me-Prologue and Epilogue. Two-channel video. 42 min. 2023.

"Scarecrows Don’t Talk
In Palazzina #24 resounds the exclamation: “You did say something!” - even if we’re not used to them talking, or sometimes like to think that they don’t have a brain and thus don’t talk. Yet, the Palazzina house is currently populated with characters like the Slime Mould who seems to leak into our rooms while enacting its narration that goes beyond time, a group of teeth who gain a surprising agency when removed from the artists’ mouth or a soothing voice taking us into the confidence of that passion lying behind the words. In our more delirious moments we even start remembering the meaningful moments we spent together with the characters presented on the timeline/scroll on the first floor. When plunging into the worlds featured in the works of Salome Jokhadze, Rhona Mühlebach and Jennifer Merlyn Scherler we, as spectators, begin to feel the contact points of “this great heavy sack of stuff” on our back. This bag is filled with small things, tiny remnants, most of them not larger than a mustard seed. Daily we engage amongst ourselves in structures and thoughts that begin without an end, we experience transformations and translations which we nourish from our great heavy bag, and which feed back into our great heavy bag."

Fragment from the exhibition text by Vera Mühlebach

Exhibition text ↓

Photos: Finn Curry